July 25, 2008

Quote of the Day: Groucho Marx (Finale)

Anightincasablanca
Chico and Groucho Marx in A Night in Casablanca.

As visions of Sea Smoke start dancing in Blawgletter's head -- for tonight Oxford promises to uncork some -- the time seems right to close out Groucho Marx's epistolary feud with Warner Brothers over the then-impending release of A Night in Casablanca (1946). 

We've seen Mr. Marx's first two letters, in which he responds to missives from the Warner legal department.  His opening salvo questions whether the studio owned the name "Casablanca" and from there ponders intellectual property rights in other monikers, including "Brothers", "Burbank", and "Jack".  The next, which answers a second Warner letter asking for a summary of A Night in Casablanca's plot, has Mr. Marx as a doctor of divinity who hawks can openers and pea coats.

The final instalment follows:

Dear Brothers:

Since I last wrote you, I regret to say there have been some changes in the plot of our new picture, "A Night in Casablanca."  In the new version I play Bordello, the sweetheart of Humphrey Bogart.  Harpo and Chico are itinerant rug peddlers who are weary of laying rugs and enter a monastery just for a lark.  This is a good joke on them, as there hasn't been a lark in the place for fifteen years.

Across from this monastery, hard by a jetty, is a waterfront hotel, chockfull of apple-cheeked damsels, most of whom have been barred by the Hays Office for soliciting.  In the fifth reel, Gladstone makes a speech that sets the House of Commons in an uproar and the King promptly asks for his resignation.  Harpo marries a hotel detective; Chico operates an ostrich farm.  Humphrey Bogart's girl, Bordello, spends her last years in a Bacall house.

This, as you can see, is a very skimpy outline.  The only thing that can save us from extinction is a continuation of the film shortage.

Fondly,

Groucho Marx

And so it ended.  Warner Brothers never responded, and the world today can watch A Night in Casablanca to our heart's content.

Feedicon14x14 Umm, Sea Smoke.

July 24, 2008

Quote of the Day: Groucho Marx (Second)

Grouchomarx
Groucho Marx (1890-1977) as Rufus T. Firefly.

Yesterday, Blawgletter quoted at full length a combative letter from Groucho Marx to Warner Brothers.  The dispute centered on the studio's belief that an impending Marx Brothers movie, A Night in Casablanca (1946), would impinge on the intellectual property that Warner Brothers embodied four years earlier in Casablanca (1942).

Mr. Marx's letter, we learned, produced a sequel.  It responded to a letter in which the Warner organization asked for a thumbnail of the plot.  The reply went like this:

Dear Warners:

There isn't much I can tell you about the story.  In it I play a Doctor of Divinity who ministers to the natives and, as a sideline, hawks can openers and pea jackets to the savages along the Gold Coast of Africa.

When I first meet Chico, he is working in a saloon, selling sponges to the barflies who are unable to carry their liquor.  Harpo is an Arabian caddie who lives in a small Grecian urn on the outskirts of the city.

As the picture opens, Porridge, a mealy-mouthed native girl, is sharpening some arrows for the hunt.  Paul Hangover, our hero, is constantly lighting two cigarettes simultaneously.  He apparently is unaware of the cigarette shortage.

There are many scenes of splendor and fierce antagonisms, and Color, an Abyssinian messenger boy, runs Riot.  Riot, in case you have never been there, is a small night club on the edge of town.

There's a lot more I could tell you, but I don't want to spoil it for you.  All this has been okayed by the Hays Office, Good Housekeeping and the survivors of the Haymarket Riots; and if the times are ripe, this picture can be the opening in a new worldwide disaster.

Cordially,

Groucho Marx

Feedicon14x14_3 To be continued.

July 23, 2008

Quote of the Day: Groucho Marx

Groucho
Groucho Marx (1890-1977).

In 1942, Groucho Marx sent this letter after a studio threatened legal action over the impending release of A Night in Casablanca (1946):

Dear Warner Brothers,

Apparently there is more than one way of conquering a city and holding it as your own. For example, up to the time that we contemplated making this picture, I had no idea that the city of Casablanca belonged exclusively to Warner Brothers. However, it was only a few days after our announcement appeared that we received your long, ominous legal document warning us not to use the name Casablanca.

It seems that in 1471, Ferdinand Balboa Warner, your great-great-grandfather, while looking for a shortcut to the city of Burbank, had stumbled on the shores of Africa and, raising his alpenstock (which he later turned in for a hundred shares of common), named it Casablanca.

I just don’t understand your attitude. Even if you plan on releasing your picture, I am sure that the average movie fan could learn in time to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try.

You claim that you own Casablanca and that no one else can use that name without permission. What about “Warner Brothers”? Do you own that too? You probably have the right to use the name Warner, but what about the name Brothers? Professionally, we were brothers long before you were. We were touring the sticks as the Marx Brothers when Vitaphone was still a gleam in the inventor’s eye, and even before there had been other brothers—the Smith Brothers; the Brothers Karamazov; Dan Brothers, an outfielder with Detroit; and “Brother, Can You Spare a Dime?” (This was originally “Brothers, Can You Spare a Dime?” but this was spreading a dime pretty thin, so they threw out one brother, gave all the money to the other one, and whittled it down to “Brother, Can You Spare a Dime?”)

Now Jack, how about you? Do you maintain that yours is an original name? Well it’s not. It was used long before you were born. Offhand, I can think of two Jacks—Jack of “Jack and the Beanstalk,” and Jack the Ripper, who cut quite a figure in his day.

As for you, Harry, you probably sign your checks sure in the belief that you are the first Harry of all time and that all other Harrys are impostors. I can think of two Harrys that preceded you. There was Lighthouse Harry of Revolutionary fame and a Harry Appelbaum who lived on the corner of 93rd Street and Lexington Avenue. Unfortunately, Appelbaum wasn’t too well-known. The last I heard of him, he was selling neckties at Weber and Heilbroner.

Now about the Burbank studio. I believe this is what you brothers call your place. Old man Burbank is gone. Perhaps you remember him. He was a great man in a garden. His wife often said Luther had ten green thumbs. What a witty woman she must have been! Burbank was the wizard who crossed all those fruits and vegetables until he had the poor plants in such confused and jittery condition that they could never decide whether to enter the dining room on the meat platter or the dessert dish.

This is pure conjecture, of course, but who knows—perhaps Burbank’s survivors aren’t too happy with the fact that a plant that grinds out pictures on a quota settled in their town, appropriated Burbank’s name and uses it as a front for their films. It is even possible that the Burbank family is prouder of the potato produced by the old man than they are of the fact that your studio emerged “Casablanca” or even “Gold Diggers of 1931.”

This all seems to add up to a pretty bitter tirade, but I assure you it’s not meant to. I love Warners. Some of my best friends are Warner Brothers. It is even possible that I am doing you an injustice and that you, yourselves, know nothing about this dog-in-the-Wanger attitude. It wouldn’t surprise me at all to discover that the heads of your legal department are unaware of this absurd dispute, for I am acquainted with many of them and they are fine fellows with curly black hair, double-breasted suits and a love of their fellow man that out-Saroyans Saroyan.

I have a hunch that his attempt to prevent us from using the title is the brainchild of some ferret-faced shyster, serving a brief apprenticeship in your legal department. I know the type well—hot out of law school, hungry for success, and too ambitious to follow the natural laws of promotion. This bar sinister probably needled your attorneys, most of whom are fine fellows with curly black hair, double-breasted suits, etc., into attempting to enjoin us. Well, he won’t get away with it! We’ll fight him to the highest court! No pasty-faced legal adventurer is going to cause bad blood between the Warners and the Marxes. We are all brothers under the skin, and we’ll remain friends till the last reel of “A Night in Casablanca” goes tumbling over the spool.

Sincerely,

Groucho Marx

Feedicon One day I shot an elephant in my pajamas.  How he got in my pajamas, I don't know.   Monkey Business (1931).

July 12, 2008

Quote of the Day: George F. Will

Homersimpsonduff
The columnist and Homer Simpson at last agree on something.

No beer, no civilization.

George F. Will, "Survival of the Sudsiest", The Washington Post, July 10, 2008.

Feedicon14x14 "Beer is living proof that God loves us and wants us to be happy."  B. Franklin.

July 02, 2008

Lawyers Like Happy Hour

Cheers
You'll see plenty of lawyers here.

The ABA Journal reports that, more than any other group, "legal and accounting workers" enjoy gathering at watering holes for off-hours gregariousness.  Within that milieu, 87 percent go to bond, 28 percent to network, and 19 percent to gossip. 

That compares to an average for all survey respondents of 82 percent for the bonding, 20 percent for the networking, and 15 percent for the gossiping, according to a press release by CareerBuilder.com, which commissioned the survey.  The study also found that only 21 percent of all respondents attend happy hours but 35 percent of legal and accounting workers do.

What can we infer about people who toil at law and accounting firms relative to those in other callings?

  1. They are 67 percent more likely to engage in post-work camaraderie.
  2. They are more likely to report multiple reasons for their carousing.

Plus they probably like to drink.

June 28, 2008

Quote of the Day: Lily Tomlin

Lilytomlin
Lily Tomlin (1939-) snorted a lot as Ernestine.

The trouble with the rat race is that even if you win you're still a rat.

Feedicon Our feed also liked her Edith Ann.

June 23, 2008

Quote of the Day: George Carlin

Georgecarlin
George Carlin (1937-2008) merged with the infinite yesterday.

I think it is the duty of the comedian to find where the line is drawn and cross it deliberately.

He sure did that.

Obituaries here and here.  Seven Words video here.

Feedicon Good morning, sunshine!

April 01, 2008

Federal Courts Declare One-Day Opinion Moratorium

Speaking on condition of anonymity, Chief Justice John Glover Roberts, Jr. -- the "Glover" is silent -- announced today that the U.S. judiciary will keep its opinions to itself for the duration of April Fools' Day.  Unidentifiable but independent sources verified the gist of the Chief's secret press release.

Ralph Waldo Emerson (1803-82), commenting in a rare beyond-the-grave interview, praised the magisterial hiatus, mumbling something about "foolish consistency", a "hobgoblin", and "little minds".  Apparently he believes a once-a-year quotidian moratorium the very opposite of foolishness.

The GEICO gecko had no comment.  At least not one Blawgletter could publish in a family blawg.

Feedicon28x28 Yes, our feed does boast a bigger RSS icon today.

March 01, 2008

Native Garb

David Letterman recently played a video illustrating the custom of donning native garb when American politicians travel beyond our national borders.

The clip includes Barack Obama in traditional Kenyan dress, Hillary Clinton sporting a head scarf in Jordan, Bill Clinton in Senegalese clothing, and George W. Bush during a trip to Turkey.

Blawgletter liked it. We hope you do too.